All Videos

Channel info

People & Blogs, Music, Entertainment

solo violin, Duo L'Istante, Johann Georg Pisendel (Composer), E-Dur, baroque music, Harpsichord, daimonion, 4 Satz, скрипка, exando-music, baroque violin, 3 Satz, violino solo, Lisa Fütterer, Nicola Matteis, barock violin, Barockgeige, sonata, Francoeur, classical experience, Georg Pisendel, Nicolas Beaugonin, Barbara Strozzi, ensemble daimonion, baroque, ми мажор, Clavicembalo, Entertainment, Eva Saladin, клавесин, diminutions, Ladislav Zajac, Sonata per violino senza basso, Johannes Keller, violon baroque, Baroque Violin, early baroque, ornamentation, natura, nature, 4 часть, Michael Kleine, Miren Oller, Benedetto Ferrari, ricercata, musique classique, adagio, Alte Musik, Donna Verheijden, 3 movement, Bach, Passaggio rotto, Studio Wishes for Reality, cembalo, violine, Corelli, Johannes Wallbrecher, Music, Sonata (Composition Type), obbligato, 4 movement, Josías Rodríguez Gándara, Aliénor Dauchez, Amélie Chemin, Клавесин, BWV 1001, Александра Иванова, harpsichord, passacaille, Анаис Чен, Flavio Ferri-Benedetti, Roland Quitt, Bartolomeo Barbarino, Бах, classical music, barocco italiano, Fantasia, early music, BWV 1016, violino barocco, Adagio ma non tanto, musique ancienne, Christina Voigt, primo barocco, Resonando, аллегро, violin, Cipriano, alte musik, viola tenore, violin solo, violin barroco, Caspar Johannes Walter, tenor viol, Anais Chen, Violino, virtuoso baroque violin, Il Profondo, Geige, Italian baroque, improvisation, renaissance, Соната, Sonate Nr.3, Amati violin, ricercar, Cembalo, Violine, resonando, Baroque Violin (Musical Instrument), madrigal, Anaïs Chen, Violin, Tartini, Claudio Monteverdi, Melchior Hoffmann

All Videos

Anaïs Chen improvises on the viola tenore upon "Io canterei d'amor" by Cipriano de Rore

Ciprian's madrigal "Io canterei d'amor" (1547) is one of my most favorite pieces. Of course its beauty lies in the sublime contrapuntal interwoven texture, but I tried to catch and enhance something of its character as I feel it, ornamenting (making so called diminutions of the plain melody lines) and jumping through all four voices in a way that its structure remains understandable although I play only one voice at a time. On a violin this would have been impossible, but with the viola tenore which is tuned one octave below the violin, here in 465 Hz, I can touch all voices from the luckily rather low soprano line of this madrigal down to some of the bass lines (which I enjoy very much as a violinist :)). Text by Petrarca: Io canterei d'amor si novamente ch'al duro fiancho il dì mille sospiri trarrei per forza, et mille alti desiri racconterei ne la gelata mente; E'l bel viso vedrei cangiar sovente, et bagnar gli occhi, et più pietosi giri far, come suol chi de gli altrui martiri et del suo error quando non val si pente. I would sing of love in so new a way I would draw a thousand sighs from that hard heart, and light a thousand noble desires in that chill mind: and I would see her often change expression, and wet her eyes, and turn more pityingly, like one who, when it's no use, repents of other's suffering and her own error. (translation by A.S. Kline)

Music

improvisation, diminutions, renaissance, tenor viol, viola tenore, ricercar, ricercata, Cipriano, Anais Chen, madrigal, ornamentation

Anaïs Chen plays Aria del Tasso and Grave by Giuseppe Tartini

The relation of nature, popular music like the Venetian Aria del Tasso (on verses from Torquato Tasso's "Gerusalemme liberata") and "musica artificiosa" were central topics in Tartini's thinking. Furthermore, he tried to imitate vocality as much as possible on the violin, but strangely enough didn't write one single vocal piece saying that he knows that the voice is not like in instrument with a fingerboard. In this video I tried to give some room to these two relations choosing the ambiance and acoustics of the woods and giving some vocality to my interpretation even if there are many improvised ornaments as Tartini might have imagined the performer to do - at least his treatise about ornamentation suggests a very abundant use of them.

Music

Tartini, natura, nature, violino barocco

Anaïs Chen plays "Passaggio rotto e fantasia" by Nicola Matteis

Nicola Matteis emigrated as a young virtuoso violinist in the 1670s from the area of Naples to London. Roger North, a contemporary essayist, wrote about him: ‘I remember no Italians till Nicola came, and he lay obscurely in the city; by the favour of a merchant whom he had converted to his profit; his circumstances were low, and it was say'd that he travelled thro' Germany on foot with his violin under a full coat at his back. But his pride and arrogance was incomparable, and if he had not found that easy merchant, he had starved before he could have bin known. He was brought to play afore the King and divers great person, in order to be pensioned, but his manner did not take. Sr R. Lestrage, an exquisite violist, Sr Wm Waldgrave, that did wonders upon the archlieute, and Mr Bridgman, that dealt a thro-base upon an harpsichord, found him out to be a superlative genius, But they were forced with all their eloquence to charme him into a complaisance with the English humour, which was to be easy, free, and familiar, and to let gentlemen, not the best hands, have his company in consorts.'

Music

solo violin, violino solo, baroque violin, violino barocco, early baroque, primo barocco, violon baroque, Nicola Matteis, Passaggio rotto, Fantasia, Italian baroque, barocco italiano, virtuoso baroque violin, Amati violin

BACH Sonate für Violine & Cembalo obbligato in E-Dur, BWV 1016

J.S.Bach Sonate für Violine & Cembalo obbligato in E-Dur, BWV 1016, Allegro Violine: Anaïs Chen / http://www.anais-chen.ch Cembalo: Alexandra Ivanova / http://alexandraivanova.net Video: David Boos / http://david-boos.com Audio: Slava Poprugin / http://steppenwolfstudio.nl CD Release, 8th of June 2018 http://www.c2hamburg.de/shop/de/ALL/J-S-Bach-Sonaten-fuer-Violine-und-Cembalo-BWV-1014-1019.html

People & Blogs

Bach, BWV 1016, Sonate Nr.3, violine, cembalo, harpsichord, barock violin, obbligato, E-Dur, 4 movement, 4 Satz, Бах, Клавесин, скрипка, ми мажор, 4 часть, аллегро

Anaïs Chen plays J.S. Bach - Adagio from Sonata I for solo violin BWV 1001

Anaïs Chen, baroque violin after Pietro Guarneri by Daniel Frisch 2013 live recording July 2016 filmed by Nicolas Beaugonin

People & Blogs

Bach, violin solo, BWV 1001, adagio, baroque violin, Anais Chen, Nicolas Beaugonin, violino barocco, violon baroque, violin barroco

EntreTemps Teaser

Anaïs Chen, Leitung und Violine Anna Romanì und Olivier Collin, Choreographie und Tanz Philipp Berweger, Bühne Dorothée Saladin, Kostüme Jens Seiler, Licht Ensemble Il Profondo Sonoko Asabuki, Violine Amélie Chemin, Viola da Gamba Federico Abraham, Kontrabass Johannes Keller, Cembalo Josías Rodríguez Gándara, Laute

Sono un fumo

Musik: Caspar Johannes Walter (Uraufführungen), Claudio Monteverdi, Barbara Strozzi, Benedetto Ferrari, Bartolomeo Barbarino Countertenor: Flavio Ferri-Benedetti Ensemble Il Profondo: Anaïs Chen, Eva Saladin (Violinen), Amélie Chemin (Viola da Gamba), Josías Rodríguez Gándara (Lauten), Johannes Keller (Cembalo) Konzept, Regie: Aliénor Dauchez Bühne: Michael Kleine, Lisa Fütterer Kostüme: Michael Kleine Licht: Ladislav Zajac Dramaturgie: Roland Quitt Übersetzung: Roman Lemberg Regieassistenz: Melchior Hoffmann Bühnenassistenz: Miren Oller Video-Trailer: Christina Voigt, Stephan Talneau, Carlos Vasquez Produktion: Tobias Nussbaumer, Sebastian Solte Bisherige Aufführungen: Radialsystem V, Berlin 14. + 15. + 16. Mai 2016 Gare du Nord - Bahnhof für Neue Musik, Basel 3. + 4. + 5. Juni 2016 Eine Produktion von La Cage in Kooperation mit Il Profondo, Radialsystem V und Gare du Nord - Bahnhof für Neue Musik. Gefördert aus Mitteln des Hauptstadtkulturfonds, durch den Fachausschuss Musik BS/BL, die Sophie und Carl Binding-Stiftung, die Ernst Göhner-Stiftung, die Isaac Dreyfus Bernheim-Stiftung und Migros Kulturprozent. Kompositionsauftrag finanziert von der Ernst von Siemens Musikstiftung.

Christina Voigt, Melchior Hoffmann, Miren Oller, Roland Quitt, Ladislav Zajac, Lisa Fütterer, Aliénor Dauchez, Michael Kleine, Johannes Keller, Josías Rodríguez Gándara, Amélie Chemin, Eva Saladin, Anaïs Chen, Il Profondo, Flavio Ferri-Benedetti, Caspar Johannes Walter, Barbara Strozzi, Claudio Monteverdi, Benedetto Ferrari, Bartolomeo Barbarino

ENSEMBLE DAIMONION | CD - François Francoeur, violin sonatas

ANAÏS CHEN, baroque violin DANIEL ROSIN, baroque cello MARÍA GONZÁLEZ, harpsichord http://www.ensembledaimonion.com/ Producer | Jan De Winne - Passacaille Label Recording engineer and artistic direction| Olaf Mielke Recorded in Müllheim (DE) | 2-5 January 2016 Photos and Video | Leandro Suarez

Music

Francoeur, classical music, early music, ensemble daimonion, alte musik, musique ancienne, Anais Chen, baroque music, passacaille

Georg Pisendel — Sonata per violino senza basso — Second Movement

Georg Pisendel — Sonata per violino senza basso — Second Movement Performed by Anaïs Chen Sound: Johannes Wallbrecher Visuals: Wishes for Reality Production

People & Blogs

Georg Pisendel, Anaïs Chen, Baroque Violin, Violin, Music, Sonata per violino senza basso

ENSEMBLE DAIMONION. A. Corelli: Sonata nº9, op.5 in A : Adagio-tempo di gavotta

Anais Chen, baroque violin Daniel Rosin, baroque cello María González, cembalo http://www.ensembledaimonion.com/ Recording Rehearsal in Kleiner Saal, Musik Akademie der Stadt Basel November 2010

People & Blogs

Corelli, sonata, violin, daimonion, adagio, early music, ornamentation, alte musik

BACH Sonate Nr.3 für Violine und Cembalo obbligato in E-dur, BWV 1016

Johann Sebastian Bach (1685-1750) Sonate Nr.3 für Violine und Cembalo obbligato in E-dur, BWV 1016 Adagio ma non tanto Violine: Anaïs Chen / http://www.anais-chen.ch Cembalo: Alexandra Ivanova / http://alexandraivanova.net Video: David Boos / http://david-boos.com Audio: Slava Poprugin / http://steppenwolfstudio.nl CD Release, 8th of June 2018 http://www.c2hamburg.de/shop/de/ALL/J-S-Bach-Sonaten-fuer-Violine-und-Cembalo-BWV-1014-1019.html

People & Blogs

Bach, BWV 1016, Sonate Nr.3, E-Dur, Violine, Cembalo, Harpsichord, barock violin, 3 Satz, 3 movement, Adagio ma non tanto, Бах, Соната, скрипка, клавесин, ми мажор, Анаис Чен, Александра Иванова

Duo L'Istante - Cercar la Voce

physical CD in high end digipack: http://www.exando-music.com https://www.goo.gl/JxEd85 high resolution download: https://www.goo.gl/zwi1N7 mp3-download: https://www.goo.gl/lZP3OI mastered for iTunes: https://www.goo.gl/isWd6j Amazon mp3: https://www.goo.gl/7iHlsg Qobuz: https://www.goo.gl/eApKSC In this new CD-album the two young artists from Basel Anaïs Chen (Violin) and Johannes Keller (harpsichord) master to lead through an exciting expedition of searching for one of the most original musical expression of human being: the finger prints of vocal influences in the instrumental music of the 16th and 17th century, which can be found and decoded in many variable forms and characteristics. In this album masterpieces of popular composers as well as not so well known composers can be heard, which are quite different in their “vocal way of thinking”. So it arises a very multifaceted picture of vocal-influenced instrumental music. In diesem neuen CD-Album gelingt den Künstlern Anaïs Chen (Violino) und Johannes Keller (Cembalo) eine spannende Spurensuche nach dem urmenschlichen in der Musik: den Fingerabdrücken vokaler Einflüsse, die in den unterschiedlichsten Gestalten und Ausprägungen in der Instrumentalmusik des 16. und 17. Jahrhunderts aufzuspüren und zu entschlüsseln sind. Die ausgewählten Werke lassen in ihren Unterschiedlichkeiten des vokalen Denkens ein äußerst facettenreiches Gesamtbild entstehen. Duo L'Istante: Anaïs Chen, Violino & Johannes Keller, Clavicembalo https://www.facebook.com/anais.chen.33?fref=ts https://www.facebook.com/johannkell?fref=ts Title: Oh Primavera (Luzzasco Luzzaschi) Visuals & Montage: Studio Wishes for Reality music-producer and sound: Johannes Wallbrecher Label: resonando Shop: www.exando-music.com Info: https://www.www.listante.com Facebook: https://www.facebook.com/exandomusic/?fref=ts Subscribe now and never miss a video: http://bit.ly/1C1KlDZ Find the most beautiful pages of classical music on ClassicalExperience. Thousands of classical videos; Classical masterpieces remastered; Interviews & documentaries; All of the greats revisited by new artists on the rise."

Entertainment

Duo L'Istante, Resonando, Anaïs Chen, Johannes Keller, Alte Musik, Cembalo, Violino, violin, harpsichord, early music, Donna Verheijden, Johannes Wallbrecher, resonando, Studio Wishes for Reality, exando-music, Entertainment, Clavicembalo, Geige, Barockgeige, baroque, musique classique, classical music, classical experience

Georg Pisendel — Sonata per violino senza basso — First movement

Performed by Anaïs Chen Sound by Johannes Wallbrecher Visuals by Wishes for Reality Production www.anais-chen.ch

People & Blogs

Johann Georg Pisendel (Composer), Sonata (Composition Type), Baroque Violin (Musical Instrument)